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Regards

Document Type

Article

Abstract

This dossier seeks to pinpoint hazards emerging on the globally redrawn map of art and culture. It was conceived to expose and navigate the mines laid when the ostensibly methodologically secular discourse of art history turns to art made outside Euro-American cultural centers – art often considered out of sync with Euro-American modernity.¹ As commonly approached, the pinnacle of that modernity corresponds roughly to what one of us has referred to as the “decades of decolonization,” in an effort to avoid reaffirming the Eurocentrism inherent in labeling the period as ‘post-war’...

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